EVENTO
Cantus planus. Notazione musicale bizantina in codici marciani
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IDENTIFICAZIONE |
EVENTO Tipo di evento
evento misto
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DENOMINAZIONE DELL'EVENTO |
Titolo dell'evento
Cantus planus. Notazione musicale bizantina in codici marciani
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LUOGHI |
Venezia
Isola di San Servolo, Venezia
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DATA |
28 luglio 2014 - 1 agosto 2014
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RESPONSABILITÀ ORGANIZZATIVE |
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NOTE |
<p>La Fondazione Ugo e Olga Levi, in collaborazione con l'International Musicological Society - Study Group "Cantus Planus" e San Servolo Servizi s.r.l. e con il patrocinio di Regione del Veneto, dell'Assessorato alla Attività culturali e Sviluppo del Turismo del Comune di Venezia, dell'Ufficio Regionale UNESCO per la Scienza e la Cultura in Europa, organizza il XVII meeting internazionale dello IMS Study Group. Il convegno si articola in sessioni plenarie, gruppi di studio, poster session e concerti.</p>
<p>Programma di lunedì 28 luglio:</p>
<p>
<ul>
<li>16.30 - 17.30 Opening Ceremony and Welcome Address
<ul>
<li>Davide Croff (Fondazione Ugo e Olga Levi, Venice), Chair;</li>
<li>Luisa Zanoncelli (Fondazione Ugo e Olga Levi, Venice), Scientific Board;</li>
<li>Dinko Fabris (IMS, Basle), Chair;</li>
<li>Nausica Morandi (IMS-Study Group Cantus Planus / Fondazione Ugo e Olga Levi, Venice), Coordinator;</li>
<li>James Borders (IMS-Study Group Cantus Planus), Chair.</li>
</ul>
</li>
<li>16.30 - 17.30 Auditorium - Session I: Venice
<ul>
<li>Peter Jeffery, The Choir of San Marco in a 13th-Century Mosaic;</li>
<li>Manuel Pedro Ferreira, Venetian Influence in 15th-Century Portugal.</li>
</ul>
</li>
<li>19.30 Opening Concert
<ul>
<li>Letizia Butterin (organ).</li>
</ul>
</li>
</ul>
<div>Programma di martedì 29 luglio:</div>
</p>
<p>
<ul>
<li>8.30 - 10.00 Room 6 - Session II: Inventories and Catalogues
<ul>
<li>Ana Cizmič´ Catalogue of Medieval Music Manuscripts in Dalmatia;</li>
<li>Santiago Ruiz & Juan Pablo Rubio, OSB, Liturgical Fragments of the Diocese of Sigüenza (11th-16th Centuries);</li>
<li>Karin Strinnholm Lagergren, Liturgical Music Manuscripts through Five Centuries in the Birgittine Abbey Maria Refugie (the Netherlands).</li>
</ul>
</li>
<li>8.30 - 10.00 Room 7 - Session III: Old Hispanic Chant
<ul>
<li>Emma Hornby & Rebecca Maloy, A Taxonomy of Old Hispanic Cadences: Methodology and Challenges;</li>
<li>Raquel Rojo Carrillo, The Verpertini as Witnesses to the Transmission of Old Hispanic Chant in Traditions A and B.</li>
</ul>
</li>
<li>10.30 - 12.00 Room 6 - Session IV: Chants for Special Occasions
<ul>
<li>Harald Buchinger, Chants for Exceptional Occasions and the Proper of a Regular Custom: The pre-Mass Lustration in the History and Prehistory of the Processional;</li>
<li>Michelle Urberg, The Paschal and Mariological Processions Brothers and Sisters at Vadstena Abbey;</li>
<li>Melanie Batoff, The Visitatio sepulchri as a Gospel Harmony in Medieval Germany.</li>
</ul>
</li>
<li>10.30 - 12.00 Room 7 - Session V: Cantor and Cantus
<ul>
<li>Joseph Dyer, The Image of the Cantor in the Writings of Amalar of Metz;</li>
<li>Océane Boudeau, Le sanctoral de la cathédrale de Sens (XIIe-XIVe s.): ses particularités, son évolution et ses conséquences sur le chant;</li>
<li>Jean-François Goudesenne, Political Cantus: Apostolicity and Liturgical Exports in Southern France and Alps (9th-11th Centuries).</li>
</ul>
</li>
<li>14.00 - 15.30 Room 6 - Session VI: Musical Intonations in Monastic Sources from Italy (with a Special Focus on the Veneto) (Panel 1)
<ul>
<li>Nausica Morandi, The Office of Santa Cecilia in Musico-liturgical Manuscripts;</li>
<li>Cristina Bernardi, The Feasts of the Inventio and Exaltatio Crucis in the Carthusian Antiphonary;</li>
<li>Diego Toigo, Late Monodic Intonations of the Passion in Italy.</li>
</ul>
</li>
<li>14.00 - 15.30 Room 7 - Session VII: Manuscript Collections
<ul>
<li>Silvia Tessari, The Byzantine Musical Manuscripts of the Veneto Region: Overview of a Current Research Project. One example (Bassan. gr. 34B19);</li>
<li>Rebekka Sandmeier, Imposing European Culture on the Cape Colony: Medieval Manuscripts in the Grey Collection;</li>
<li>Marco Gozzi, Manuscripts in Cortona: Fragments and Liturgical Books in the Archivio Storico Diocesano.</li>
</ul>
</li>
<li>14.00 - 15.30 Room 2 - Posters (I)
<ul>
<li>Debra Lacoste, CANTUS Database;</li>
<li>Karin Strinnholm, Lagergren The Medieval Parchment Wrapper Project Database now Online;</li>
<li>Xaver Kainzbauer, The Thesaurus Gregorianus Data File: Its Musical Dimension;</li>
<li>Martin Kaiser, Thesaurus Gregorianus, an Internet Database of Gregorian Office Antiphons: Its Textual Features and Application to the Question of the Origin of Gregorian Chant.</li>
</ul>
</li>
<li>16.30 Visit of the Library of San Francesco della Vigna;</li>
<li>18.30 Church of San Francesco della Vigna - Concert
<ul>
<li>Chant from Medieval Women's Monsteries. Chants of Hildegard von Bingen, Harrad von Hohenburg, from Codex Las Huelgas and Cantus Sibyllae. Ensemble Oktoechos, Lanfranco Menga (conductor).</li>
</ul>
</li>
</ul>
<div>Programma di mercoledì 30 luglio:</div>
<div>
<ul>
<li>8.30 - 10.00 Room 6 - Session VIII: Sources (I)
<ul>
<li>Orsolya Csomó, Marian Feasts in the Zagrebian Mass-Liturgy in the Context of the Mediterranean Area;</li>
<li>Anna Vildera, The Processional of Santa Maria della Fava;</li>
<li>Nuria Torres, Medieval Fragments with Marian Polyphony.</li>
</ul>
</li>
<li>8.30 - 10.00 Room 7 - Session IX: Cantus and Computing
<ul>
<li>Geert Maessen, First Results of a Computational Analysis of Old Hispanic Chant;</li>
<li>Kate Helsen, A New Way to See Neumes: The Optical Neume Recognition Project in Action;</li>
<li>Debra Lacoste & Jan Koláček, CANTUS for Office and Mass: Building an Online Network of Chant Databases.</li>
</ul>
</li>
<li>10.30 - 12.00 Room 7 - Session X: Transmission and Influence, Central Europe (I)
<ul>
<li>Hanna Zühlke, Hirsau in Norditalien: Zur liturgischen Musikpraxis des Benediktinerklosters Moggio im 12. und 13. Jahrhundert;</li>
<li>Réka Miklós, Der Seckauer Liber Ordinarius von ca. 1595 (A-Gu 1566) als letztes Dokument der mittelalterlichen Salzburger-Seckauer Liturgie und Musik.</li>
</ul>
</li>
<li>10.30 - 12.00 Room 6 - Session XI: Chants of the Mass Ordinary;
<ul>
<li>Marit Johanne Høye, Kyrie Chants in Manuscripts from the German-speaking Area;</li>
<li>Hana Vlhová-Wörner, Agnus Pairing and Disappearing;</li>
<li>Sarah Ann Long, Mensurally Notated Mass Ordinaries from Cambrai and Tournai.</li>
</ul>
</li>
<li>14.00 - 15.30 Room 7 - Session XII: Sources (II)
<ul>
<li>Susan Boynton, Liturgy and History in the Cluniac Collection Paris, BnF lat. 17716;</li>
<li>Jeremy Llewellyn, The History and Historiography of the ‘ThomasGraduale’ (Leipzig, Universitätsbibliothek, ms. 391);</li>
<li>Jurij Snoj, The Antiphoner of Isola and the Question of its Provenance.</li>
</ul>
</li>
<li>14.00 - 15.30 Room 6 - Session XIII: Transmission and Influence, Central Europe (II)
<ul>
<li>Gábor Kiss, Late reflorescence of the Alleluia Repertory in Central Europe;</li>
<li>Katarina Šter, Melodic History of a Music Manuscript: A Case of the Medieval Carthusian Antiphoner;</li>
<li>Zsuzsa Czagány & Ágnes Papp, Traditio Iohannis Hollandrini: Spätmittelalterliche Theorie und Choralpraxis.</li>
</ul>
</li>
<li>14.00 - 15.30 Room 2 - Posters (II)
<ul>
<li>Debra Lacoste, CANTUS Database;</li>
<li>Karin Strinnholm, Lagergren The Medieval Parchment Wrapper Project Database now Online;</li>
<li>Xaver Kainzbauer, The Thesaurus Gregorianus Data File: Its Musical Dimension;</li>
<li>Martin Kaiser, Thesaurus Gregorianus, an Internet Database of Gregorian Office Antiphons: Its Textual Features and Application to the Question of the Origin of Gregorian Chant.</li>
</ul>
</li>
<li>16.00 - 17.00 Room 6 - Session XIVa: Heirmologion and Tropologion
<ul>
<li>Sandra Martani, The Manuscript Cryp. E.γ.III: A 12th-Century Heirmologion of the South-Italy Area;</li>
<li>Svetlana Kujumdzieva, The Tropologion Vaticanus Graecus 771.</li>
</ul>
</li>
<li>16.00 - 17.00 Room 7 - Session XVa: Classification and Systems
<ul>
<li>Svetlana Poliakova, An Hypothesis for the Classification of Russian Studite Sticheraria;</li>
<li>Elizabeth J. Markham, A Schematic Musical Form for Singing Buddhist Hymns in the ‘Bilingual’ Literary Culture of Early Japan.</li>
</ul>
</li>
<li>17.00 - 19.30 Room 6 - Session XIVa: Chant and Liturgy in Latin Southern Italy in the Middle Ages (Panel 2)
<ul>
<li>Luisa Nardini, The Mass of the Dead in Beneventan Manuscripts;</li>
<li>Alejandro Enrique Planchart, Melodic and Formal Syntax of the Bevenentan Proses;</li>
<li>Thomas Forrest Kelly & Katarina Livljanic, Ferial Office in Beneventan Sources of the 11th and 12th Centuries;</li>
<li>Matthew Peattie, Graphic Difference and the Interpretation of the Climacus in Beneventan Notation;</li>
<li>Bibiana Gattozzi, The Hymn in Beneventan Manuscripts.</li>
</ul>
</li>
<li>17.00 - 19.30 Room 7 - Session XVb: Music, Text, Socio-political Context and Function in Medieval Saints’ Office. New Approaches (Panel 3)
<ul>
<li>Morné Bezuidenhout, In Search of the Black Swan: A Computer-aided Approach to Interval Pattern Recognition;</li>
<li>Dirk van Betteray, Textinterpretation und Formelkomposition - Heiligenoffizien im Codex Hartker;</li>
<li>Roman Hankeln, The Articulation of Direct Speech in High and Late Medieval Historiae;</li>
<li>Danette Brink, The Office in Honour of Simeon, the Recluse from Trier;</li>
<li>Sebastián Salvadó, San Marco in Pilastro: Ranieri Zeno and the Historiae of St Mark in Venice.</li>
</ul>
</li>
</ul>
Programma di giovedì 31 luglio: </div>
</p>
<p>
<ul>
<li>8.30 - 10.00 Room 7 - Session XVI: Notation (I)
<ul>
<li>Franz Karl Prassl ‘Orthographieregeln’ in der Notation adiastematischer St. Galler Handschriften des 10. und 11. Jahrhunderts;</li>
<li>Antanina Kalechyts, Die Entwicklung der Notation als Indikator für einen Wandel der Interpretation am Beispiel des Proprium der Heiligen Lucia in St. Galler Handschriften vom Beginn des 10. bis zur Mitte des 11. Jahrunderts.</li>
</ul>
</li>
<li>8.30 - 10.00 Room 6 - Session XVII: Venerating the Saints (I)
<ul>
<li>Hrvoje Beban, Venerating the Founder Saint: The Office for St. Dominic in Croatian and Polish Sources in Comparison to the Dominican Prototype;</li>
<li>Alison Altstatt, Singing the Saints in Medieval Eichstätt;</li>
<li>Christelle Cazaux-Kowalski, A Thirteenth-Century Officium sancti sudarii from the Cistercian Monastery of Cadouin (France, Périgord).</li>
</ul>
</li>
<li>11.00 Monumental rooms of the National Marciana Library, Visit to the Exhibit: Cantus Planus. Byzantine Musical Notation in the Codices from Marciana Library</li>
<li>14.30 - 15.30 Room 7 - Session XVIII: Venerating the Saints (II)
<ul>
<li>Tova Leigh-Choate, Weekly Offices for Patron Saints: A Preliminary Investigation of Their Occurrence and Composition;</li>
<li>Stefania Roncroffi, Sources of the Office of Saint Prosper.</li>
</ul>
</li>
<li>14.30 - 15.30 Room 6 - Session XIX: Tropes and Sequences
<ul>
<li>Giulia Gabrielli, Tropes in Cantus Planus Sources from South Tyrol;</li>
<li>Arturo Tello Ruiz-Pérez, Rethinking Partially-texted Sequence: Ecce puerpera genuit, between Italy and Catalonia.</li>
</ul>
</li>
<li>16.00 - 17.00 Room 6 - Session XXa: Manuscript Transmission in Italy
<ul>
<li>Leandra Scappaticci, In the Delta of the Adriatic Sea: Pomposa Abbey in the Guidonian Era;</li>
<li>James Borders, A Northern Italian Intermediary between Avignon and Rome? Oxford Bodleian Library, Canon. Lit. 375 and the Chants of the Pontificale Romanum.</li>
</ul>
</li>
<li>16.00 - 17.00 Room 7 - Session XXIa: Beneventanum
<ul>
<li>Sophie Burton, Liturgical echoes: A triplet for the Exaltatio sanctae crucis in Benevento, Biblioteca Capitolare MS 40.</li>
</ul>
</li>
<li>17.00 - 19.00 Room 6 - Session XXb: Editing Medieval Monophonic Music: Current Problems and Methods between Old and New Philologies (Panel 4)
<ul>
<li>Andreas Haug, Towards a Semiotically Informed Transcription Practice;</li>
<li>Konstantin Voigt, Reconstructing Acts of Writing-Editorial Consequences of the Notational Plurality of Paris 1139;</li>
<li>David Catalunya, The Role of Material Philology in the Process of Editing Aquitanian Versus;</li>
<li>Elaine Hild, Working Realities of the New Philology.</li>
</ul>
</li>
<li>17.00 - 19.00 Room 7 - Session XXIb: Polyphony
<ul>
<li>Spyridon Antonopoulos, ‘The Organika Kratemata’ of Manuel Chrysaphes;</li>
<li>Carmen Julia Gutiérrez, The Role of the Canons Regular in the Dissemination of Medieval Polyphony in Spain;</li>
<li>Alexander Lingas, Reflections on the Development of Polyphonic Singing in Post-Byzantine Chant;</li>
<li>Eustathios Makris, A Falsobordone Setting of Miserere in Byzantine Notation.</li>
</ul>
</li>
<li>21.00 San Servolo Church - Closing Concert
<ul>
<li>Scivias. Heaven and Heart in Hildegard von Bingen Music. Selected Chants of Hildegard von Bingen. Ensemble Oktoechos, Lanfranco Menga (conductor).</li>
</ul>
</li>
</ul>
<div>Programma di venerdì 1 agosto:</div>
<div>
<ul>
<li>8.30 - 10.30 Room 6 - Session XXII: Notation (II)
<ul>
<li>Elsa De Luca, A Taxonomy of León 8’s Notation;</li>
<li>Laura Albiero, The Development of ‘Comasca’ Notation: from France to Northern Italy;</li>
<li>Andreas Pfisterer, Zur Bedeutung von Oxeia/Acutus/Virga in den griechischen und lateinischen Neumenschriften;</li>
<li>Giovanni Varelli, Il più antico testimone della notazione Nonantolana.</li>
</ul>
</li>
<li>8.30 - 10.30 Room 7 - Session XXIII: Byzantine and Western Connections: Doxa in ipsistis and O quando in cruce / Ὅτε τῷ σταυρῷ in East and West (Panel 5)
<ul>
<li>Charles M. Atkinson, On the Melodic Tradition of the Doxa in ipsistis;</li>
<li>Gunilla Iversen, Editing the text of Doxa en ipsistis in Latin sources;</li>
<li>Gerda Wolfram, The Byzantine Tradition of the Great Doxology;</li>
<li>Nina-Maria Wanek, O quando in cruce - Ὅτε τῷ σταυρῷ Revisited.</li>
</ul>
</li>
</ul>
</div>
</p>
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NUMERO DI INVENTARIO |
A.10/2014.2
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